Kohaku | royal violinist (
violined) wrote in
afterliving2013-07-18 01:55 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
2nd Concert - [ video / action ]
A.) Video
[ Yeah, those videos the owners didn't know were being posted? Have one of those. There's a court yard, apparently belonging to a rich castle or something, In a cage, there is raging zombies. In front of them there is a little boy, playing the violin and an older man accompanying him. The sound of his violin appears to make the zombies sing along. The daughter of the castle's owner demands to have that violin bought for herself. The little boy, appearing to be a much younger Kohaku, refuses. She is enraged and releases the zombies at him. It appears the music of the violin protects the boy with ease, but his suspected father falls victim to their attacks. The flashback and transmission ends there. ]
B.) Action
[ If you're in the school, you might be noticing violin music. Not just any violin music - you can tell that the one playing the violin here is skilled beyond compare. Despite playing solo, his soft and clear sound reaches the heart. It's almost fragile, you can't grasp it and yet it brings a certain sentimentality over you.
If you happen to find the orchestra room, you will see Kohaku being the source of these sounds that are so contradictory to his personality. His usually angry or annoyed face is full of peace and concentration as he plays - this is him, his essence. Only sometimes he frowns. He's used to a much better violin, something special and the one he plays now is ordinary at best. He tuned it as well as he can, but it just isn't the same. Still, it's better than being without music.
Feel free to listen in or interrupt. ]
[ Yeah, those videos the owners didn't know were being posted? Have one of those. There's a court yard, apparently belonging to a rich castle or something, In a cage, there is raging zombies. In front of them there is a little boy, playing the violin and an older man accompanying him. The sound of his violin appears to make the zombies sing along. The daughter of the castle's owner demands to have that violin bought for herself. The little boy, appearing to be a much younger Kohaku, refuses. She is enraged and releases the zombies at him. It appears the music of the violin protects the boy with ease, but his suspected father falls victim to their attacks. The flashback and transmission ends there. ]
B.) Action
[ If you're in the school, you might be noticing violin music. Not just any violin music - you can tell that the one playing the violin here is skilled beyond compare. Despite playing solo, his soft and clear sound reaches the heart. It's almost fragile, you can't grasp it and yet it brings a certain sentimentality over you.
If you happen to find the orchestra room, you will see Kohaku being the source of these sounds that are so contradictory to his personality. His usually angry or annoyed face is full of peace and concentration as he plays - this is him, his essence. Only sometimes he frowns. He's used to a much better violin, something special and the one he plays now is ordinary at best. He tuned it as well as he can, but it just isn't the same. Still, it's better than being without music.
Feel free to listen in or interrupt. ]
action.
Even if it wasn't expected, it's still a good outcome. You play really well. It's too bad that you don't have your own violin here though, but it could pop up eventually. [Everyone got random items from home during Christmas last year, so... who knows.] Or you could make your own.
action.
action.
Actually, you really could probably make one here, as long as you know fairly well how they're made. I'm not sure how exactly it works, but as long as you know at least that much, you can make it from dirt.
[...sounds crazy but that's what Yuri told him way back when, so...]
action.
From dirt? Uuuuh-huh. I know every part as well as my own body, but that's hardly enough to... Alright, what exactly are you even talking about?
action.
Either way, he nods.] Yeah. Have you heard of atomic restructuring?
action.
[ That's a no. I'm sorry Otonashi, you'll have to start from scratch here. ]
action.
Right, right. I figured as much. I don't really know the details of how to do it, but basically, as long as you know about it and are familiar with the object's make-up, you can make it out of even dirt. If you know Yuri, she may be able to tell you more, but yeah.
[depends on how much she remembers, really]
action.
[ Really, how much can Yurippe even do? Constant source of a feeling in between being impressed and confused. ]
Are you a member of her little club then?
action.
[Considering the fact that that's how she makes them... But he nods.]
I... wouldn't really call it a club, but yeah. [too violent--] I've been in the SSS with her since before most of you guys came here.
action.
[ One member tracked down. With the vague word he'd meet the others eventually, Kohaku had been left wondering about their identity. ]
action.
So you joined the SSS, you mean?
action.
action.
action.
[ He shrugs ]
action.
action.
The guy I've traveled with was unreliable as fuck and his ideas changed constantly. I'm used to crazy.
[ Compared to Lucille, Yurippe's been really reassuring so far. Speaking of Lucille, Kohaku's expression changes for a moment, as if he was considering something, but he quickly snaps out of it. ]
action.
Uh... yeah, on the bright side, Yuri plans ahead and usually doesn't make any changes before telling anyone first. The problem is the actual things we tend to get into get crazy and just... weird.
action.
[ He looks more bored when he says it, but it's true that he is almost unsettled by her leadership skill. ]
action.
Well that's because when it comes to reliability... Yuri's pretty good at that. She's a great leader in general. ["Just a bit of a crazy one," he says under his breath.] She's really concerned for everyone's safety, too... it's amazing, really.
action.
She's got some talent, gotta give her that. But if it takes us nowhere than it's useless in the end.
action.
action.
Re: action.
action.
action.
action.